RIDING THE F-TRAIN
I’m alone for most of the trip through Brooklyn.
There was young couple when I got on, but they got off at the next stop.
Coincidence, I’m sure.
It gets exciting at Fourth avenue.
An entire New York Transit maintainence crew gets on.
Nine of the burliest men you ever did see carrying warning signals, flashlights and a broom. Their hardhats are blue.
There are three other passengers - another couple and a young latino man in a Nike baseball cap.
He starts dialing his cellphone, and I realize we’ve emerged from the subterrean underworld into the cool starry night.
And yes, it’s New York, but I can see the sky and its one million freckles.
‘Georgia on my mind’ vibrates in my earphones, for a moment I imagine Ray Charles, but then I realize the face I’m picturing is Jamie Foxx.
Oh well.
The dangers of a biopic. Diet coke should use him in new commercials.
My first F-train panhandler!
He’s a filthy middle aged white man. He walks toward me from the other end of the car. I do not make eye contact.
We’re speeding toward Manhattan.
Eight people…well, seven, now that the homeless man has moved on.
Every race imaginable is represented…we’re a Benetton ad…for like Benetton’s value priced clothing.
The F-train’s Manhattan is completely foreign.
Down here, Broadway is the eastside and apparently there’s a Z train now.
And I’ve discovered there already is a second avenue subway line.
So, what did I authorize a billion dollar MTA bond for?
My car fills up very quickly at Broadway-lafayette.
Hipsterville, USA.
How many white guys with canvas saddle bags strapped across their chest could possibly be in the world, much less in my one car?
I wonder if they ran into each other at the clever pin store? Because they’ve all got lots and lots of clever pins.
West fourth!
Familiar territory.
I contemplate hopping out and walking down to Magnolia for a cupcake. But I determine to finish my maiden voyage…a post depends on it.
I valiently join the ranks of the great artists who suffer for their art: Plath, Van Gogh, Joplin, Summers.
The numbers ascend in predictable fashion: 14, 23– but the subway tiles are antique relics from a long-gone era of mosaics.
The F navigates that middle road between the extreme East and West of the Number 2 and 4 trains.
The independent line, precariously rattling up the center of Manhattan Island.
I’m squarely in Midtown now, if I were going to work, I’d get off at the next stop. But I’ve already been to work today.
No, I’m going higher: to the very last stop in Manhattan before the train leaves the country…I mean goes to Queens.
I go on, ready to start my last week in Whiteyville.
My last week of paying rent, climbing four flights of stairs and popping over to Karol’s to borrow cups of sugar.
Soon, it’ll be mortgage payments, wishing my doorman a good evening, and watching the sun rise from my East-facing balcony.
But that will be then, now, the F-train pulls into the station and I step out into my present knowing that it will be the F-train that takes me back to the future.